Sculptures of war (Břetislav Benda 1897 - 1983)
1. Czech sculptor Břetislav Benda (Left): In his workshop studio (1956) (Right): With his wife, Bohumila Bendova (1976) |
2. Two postwar sculptures (By Břetislav Benda, 1948 and 1952) |
3. "Victory at Stalingrad"/"Vítězství Stalingradu" Sketch (left) and figure in bronze (right) (By Břetislav Benda, 1943) |
4. "Lidice Girl" / "Lidické děvčátko" (Figure in bronze by Břetislav Benda, 1948) |
5. Terezin Deportation Memorial [Terezin / Theresienstadt Concentration Camp] (Břetislav Benda, 1968) ________________________________ |
Born: 28 March 1897
Birthplace: Líšnice, Austro-Hungarian Empire
(now in the Czech Republic)
Parents: František and Žofie Benda
Spouse: Bohumila Bendova
Died: Prague, Czechoslovakia (now Czech Republic)
Date of death: 19 August 1983
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Břetislav Benda (1897 - 1983) was a noted 20th Century Czech sculptor and artist, seen in photograph No. 1 in his studio and with his wife, Bohumila Bendova. His elder son, also called Břetislav Benda (born 1925) became a Czechoslovak and Czech electro-technician, academic teacher and a Communist member of the Czechoslovak parliament (1986 - 1989) in the period immediately before the Velvet Revolution in Czechoslovakia.
Milan Benda (born 6 October 1941), a younger son of the elder Břetislav Benda followed in the footsteps of his famous father to become a highly respected sculptor of international renown. Milan Benda also collaborated with his father on a number of sculptures. Both father and son are primarily known for the study of the female form although some significant works are realisations of individuals or tributes to working craftsman.
Examples of these are shown in photograph No.2. On the left is a sculpture in bronze by Břetislav Benda of his wife, Bohumila and son, Milan (1948). On the right is another sculpture in bronze by Břetislav Benda honouring the skilled working man, in this case the 'Miner and Metallurgist' (1952).
The artistic creation of Břetislav Benda also looked at various aspects of war, especially the Second World War. Examples of these can be seen in photographs No 3 - 5. The remainder of this article concentrates on this aspect of his work.
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